If you have never seen a tracker before the first thing you should know is that the music does not progress from left to right but from top to bottom, almost like when you're playing Guitar Hero. In every tracker you will find at least three editors: The pattern editor is where you input the notes. If you want to play multiple voices simultaneously, you have to use one channel per voice.Įach cell of the grid consists of 5 parts: It consists of a big grid that is separated into channels. There are many different effects like volume and pitch slides, arpeggiation, vibrato, tremolo, and others. The effects may differ depending on the tracker.
FADE IN MILKYTRACKER MANUAL
It is easiest to have the manual of your tracker open so that you can reference the effects at any time. With sample-based trackers you are usually required to write the effect in each line at which it should be applied to the instrument or channel.
Chip-based trackers on the other hand are typically state based. This means that you set the effect once, and it is applied to the instrument or channel until you explicitly stop or change it. Once you have created the patterns in the pattern editor, you arrange them in the song editor. One lets you set a pattern for each individual channel. This lets you mix and match different patterns depending on your song structure. The other views the information of all channels as one pattern. This means that even if you have only small changes in one of the channels, you have to create a new version of the pattern. With sample-based trackers, you create your instrument out of samples. There are trackers that allow you to use multiple samples for different ranges of the keyboard. The instrument editor is closely tied to the sample editor, which allows you to apply different functions on the samples like cut, trim, reverse, gain, filters, cross-fade, and others. With chip-based trackers, the capabilities of the instrument editor depends on the capabilities of the chip. For instance, the SID chip that is in the Commodore 64 allows you to use different waveforms on the same channel. You can combine the waveforms to create instruments that imitate a snare or a drum. The SID chip also has the ability to apply filters and modulation to the voices. Most trackers however allow you to create volume, pitch, panning, or duty cycle envelopes and macros.Īn envelope is the change of a value over time. The most common way to model the audio properties of an instrument is by using the ADSR envelope (attack, decay, sustain, release). The attack and decay part are played when the key is pressed.
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